Original

Reformed spellings for Igbo Settlements
Abakaliki is Abakaleke; Afikpo is Ehugbo; Asaba is Ahaba; Awgu is Ogu; Awka is Oka; Bonny is Ubani; Enugu is Enugwu; Ibusa is Igbuzor; Igrita is Igwuruta; Oguta is Ugwuta; Onitsha is Onicha; Owerri is Owerre; Oyigbo is Obigbo; Port Harcourt is Diobu; Ogwashi-Uku is Ogwa Nshi Ukwu... any more will be added.

Friday, December 28, 2018

Trees in Igbo Society

Photo: Bread Fruit Tree Ikorofiong, Calabar, Nigeria, ca. 1900-1910, Unknown photographer.

Trees are important in Igbo spirituality as symbols of life and channels to the earth force. Trees are symbols of life and channels to the earth force and are often at the centre of shrines.

In Igbo tradition, a child’s umbilical cord is buried with a newly planted fruit tree (ili alo); this becomes the child’s tree of life (nkwu alo) which secures lands, confirms the child’s blood relation to the patrilineage, and forms a bond between the child and the Earth Mother, Ala. Many settlements were named after plants and trees, such as achara (bamboo), uga (Anacystrophyllum opacum), and ahiara (giant leaf grass), many of these settlements started at the base of large trees or with some of these plants as their main natural feature. There are so many trees which ritual symbolism in the Igbo area, the ogirisi often used for the deceased, the abosi, the ngwu tree which is a symbol of wisdom (where the term okongwu comes from) and from which okpesi ancestor statues are sometimes carved, the agba tree, the ogbu (fig tree) often used for the living, and so on.

Akpu

Akpu is a sacred silk-cotton tree which is a way to the unseen world of ancestors and spirits, it is where spirits of children stay and sitting under this tree is said to increase the chances of pregnancy. This is different from cassava which was introduced by Europeans from the Americas in the last 500 years, the akpu’s leaves resemble cassava leaves, so it’s possible the name was loaned to cassava when it was imported.

Oji

Oji, most commonly known by the Yoruba name Iroko, is a very large tree considered to have mystical powers like many trees. The oji was planted near shrines to give the same impression as a cathedral. Oji also stands as a metaphor for strength, nobility, and resilience. Its wood is used for titled men’s stools, compound doors/gates, and large ikoro slit drums, as well as other important ritual items.

Achi

The achi is noted for its size and the amount of shade it provides, it has similar symbolism to the oji (iroko) tree in terms of spirituality and ritual, but it is mostly prized for its fruit. Like many large trees, it houses spirits and is a portal for the ancestors. It is a symbol of resilience, strength and virility.

Uburu

Uburu, or ubulu, is a totemic tree which was central to many Igbo settlements and has lent its name to several such as Ubulu-Uku (Igbo: ’the big ubulu’) in p.d. Delta State where the tree is revered and the original one which the town is named after still stands in the middle of this town from where the first families spread out from hundreds of years ago.

Ofo

The ofo is the tree from which the staff of justice of the same name is hewn from, it is generally forbidden to cut or place a knife against a living ofo tree or use its branches for firewood, so the ofo branches had to naturally fall off in order to be used as a staff of justice, such sticks would have to be consecrated through a ritual known as isa ofo. The ofo serves as a connection between the living and the ancestors and the spirit world. A family’s ofo staff is entrusted in the care of a first son of the family whose father has transitioned, additionally there are ofo for organisations and deities. These trees also serve as shrines.

Other crops and trees that were introduced in the last 500 years in addition to cassava (yuca) are maize (corn), plantains, potatoes, pineapples, tobacco, papaya (pawpaw), most of these from the Americas.

Thursday, December 27, 2018

Ishi Nwa Njọkụ

Photo: Shrine with human skull at Obieni, in today's Cross River State, probably the revered head-pieces of deceased family heads, from Charles Partridge (1905). Cross River Natives. p. 64.
Around [the yam title, by the yam title society Ndi Eze Ji] is the theory that certain male and female children called Njoku and Mmaji respectively, may be born only to members of this society. ... As the human representatives of the yam deity, Njoku and Mmaji are entitled to privileges. They have a right to any yam they may demand from the Oba [yam barn].
Wherever they occur, Njoku claims the bride-wealth of Mmaji no matter who the mother may be. ... Mmaji must be the first wife of her husband [and] the only [Mmaji].
Their heads may not touch the ground at death. At burial, there is a raised platform to which a solid receiver is attached ... in order to collect the head as it falls out after decay. The head is then ritually dug out, washed, put away in a box which is placed on a raised platform for the purpose.
Njoku or Mmaji heads ... are loved as "status objects" but hated for the problems they create on their death. ... No member of the family may eat yam until they are ritually buried; a very costly affair. A Njoku or Mmaji ... must find a female or male opposite to marry.

– Victor C. Uchendu (1964). "The Status Implications of Igbo Religious Beliefs." The Nigerian Field. vol. 69. p. 32.

Ögbü Compound

Ögbü (Awgbu), p.d. Anambra State, what was described as a store house by Northcote Thomas, tower in the background, May 1911. Part of Thomas’ British colonial government backed anthropological tour of the north-central Igbo-speaking area.

Monday, December 24, 2018

Ágụ́ is the Leopard

A 'lost-wax' cast vessel in the form of a shell surmounted by a leopard. Igbo-Ukwu, 9th century CE. National Museum, Lagos, Nigeria. Photo by Dirk Bakker.

The leopard is the prestige big cat in Igbo tradition and that of most southern Nigerian cultures. It is the king of the forest, noted for its wit when hunting and avoiding traps and for its dexterity, it is the latter that had inspired the nsibidi mimetic movements of the Ekpe leopard men's society (ekpe means leopard in Efik and some Igbo dialects). While the lion is the symbol of power and authority in other cultures, in Igbo society this position is held for the leopard, in fact the lion is nowhere near as significant in Igbo folklore as the leopard. The particular species of leopard found around the Igbo area is the West African forest leopard (P. p. leopardus), the reverence of leopards could be down to the greater prevalence of leopards compared to other bigger cats, especially the grassland-dwelling lions.

It is common for leopard skins to be collected and displayed in the homes of high-ranking individuals in society, titles were also given to those successful in leopard hunts which were regarded as no mean feat, this is reflected in names such as Ogbuagụ, leopard killer. Conversely, leopards were revered as a cult symbol in some communities and their killing expressly forbidden, certain lineages were believed to possess the 'medicine' (ọgwụ) enabling human-to-leopard metamorphosis (ịhi agụ), in such communities, hunting a leopard could be seen as good as hunting a potential kinsman.

The use of agụ as a praise name or compliment further goes to show the reverence the leopard and its nature has in Igbo society, calling someone agụ or agụ nwanyị denotes that the person exhibits the abilities and attributes of the most admired, valued, respected and revered animal in Igbo folklore.

Originally posted on Facebook August 29, 2017.

Men and Mask

Masquerades from different cultural regions of the Igbo area photographed by G. I. Jones in the 1930s.

Masquerades representing fierce animals and mythological beasts, and often a mixture of human and animal traits, emphasise humanity’s connection with the animal and natural world which also serves to tap into the primal animal energy existing within people. The imitation of women also serves a similar purpose as both a way to tap into a specific personal trait and to police and monitor that particular section of society and nature. By appropriating the virtuous aspects of animals, the masker defines the bounds and limits of the manifestation of animal energy in the community and in people, the masks work to have that energy directed to where and when it may be useful like in times of warfare, or to prevent animal attacks. By representing women, men enforce the power to channel female energy as they feel appropriate, at the same time acting out on curiosity and out of admiration of women all while being hidden behind a mask.

Sunday, December 23, 2018

Isuochi man

A man who may possibly be from Isuochi (as the album was labelled). Photographed by G. I. Jones, 1930s.

Isuochi people

People who may be from Isuochi (as the album was labelled). Photographed by G. I. Jones, 1930s.

The ùrì body art of women who may be from Isuochi (as the album was labelled) [cropped].

Isuochi man

A man who may possibly be from Isuochi (as the album was labelled). Photographed by G. I. Jones, 1930s.

Related Posts Plugin for WordPress, Blogger...