
Location: Studio | Date: ?Unsure? | Credit: The Barakat Gallery

INTERIOR OF CHI SHRINE

DETAIL OF THE HEAD OF A "FORBIDDEN OKOROSIA MASKER IN THE CLOIS- TER OF THE MBARI TO ALA AT UMUOFEKE AGWA. MASQUERADES ARE PERFORMED ALMOST EXCLUSIVELY ON THE FRINGE OF THE MBARI REGION, WHERE THIS STRUCTURE IS FOUND. ARTIST: OFFURUM.

CHUKUEGGU'S "MBARI CULTURAL ART CENTRE" AT HIS HOME IN MBAISE, NORTH OF THE REGION OF TRADITIONAL CLAY MBARI HOUSES. NOTE THE VERBAL AND VISUAL EMPHASIS ON INDIGENOUS CULTURE.

ALA IN A CLAY-ANT HILL MLBARI DEDICATED TO HER IN AMIGBO NGURU. ARTIST NNAJI, CA 1963. PHOTO 1966.

PLAN SHOWING THE PLACEMENT OF FIGURES AND VARIOUS KINDS OF ARCHITECTURAL SET-BACKS EMPLOYED TO INCREASE THE ILLUSION OF SIZE. THE MBARI, WITH THIRTY-FOUR FIGURES INCLUDING THE HEAD SPEERING THROUGH WINDOWS (RIGHT SIDE NEAREST CENTER), IS OF AVERAGE SIZE. THE MBARI TO OBIALA AT NDIAMA OBUBE. ARTIST: NNAJI.

THE CARVED DOOR AND MODELED AND POLISHED WALLS OF EKE'S COMPOUND IN UMUONA.